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oai:revues.org:lapurdum/4143<metadata> <oai_dc:dc xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd"> <dc:identifier>https://doi.org/10.4000/127ud</dc:identifier> <dc:identifier>https://journals.openedition.org/lapurdum/4143</dc:identifier> <dc:identifier>urn:handle:20.500.13089/127ud</dc:identifier> <dc:language>eu</dc:language> <dc:date xsi:type="dcterms:W3CDTF">2024-09-02T02:00:00Z</dc:date> <dc:rights>info:eu-repo/semantics/openAccess</dc:rights> <dc:type>issue</dc:type> <dc:type>info:eu-repo/semantics/other</dc:type> <dc:rights>https://creativecommons.org/licenses/by-nc-nd/4.0/</dc:rights> <dc:title>Numéro XXIV</dc:title> <dc:publisher>Lapurdum</dc:publisher> <dc:publisher>IKER</dc:publisher> <dc:relation>info:eu-repo/semantics/reference/issn/1965-0655</dc:relation> <dc:relation>info:eu-repo/semantics/reference/issn/1273-3830</dc:relation> <dc:source>URI:https://journals.openedition.org/lapurdum</dc:source> <dc:contributor>Olçomendy, Argia</dc:contributor> <dc:contributor>Etxeberria, Urtzi</dc:contributor> <dc:contributor>Lascano, Beñat</dc:contributor> <dc:contributor>Elizalde, Amaia</dc:contributor> <dc:identifier>urn:isbn:978-2-9590077-1-2</dc:identifier> <dc:identifier>urn:doi:10.4000/127ud</dc:identifier> </oai_dc:dc> </metadata>
oai:revues.org:lapurdum/4175<metadata> <oai_dc:dc xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd"> <dc:identifier>https://doi.org/10.4000/127t2</dc:identifier> <dc:identifier>https://journals.openedition.org/lapurdum/4175</dc:identifier> <dc:identifier>urn:handle:20.500.13089/127t2</dc:identifier> <dc:language>eu</dc:language> <dc:date xsi:type="dcterms:W3CDTF">2024-09-02T02:00:00Z</dc:date> <dc:rights>info:eu-repo/semantics/openAccess</dc:rights> <dc:type>introduction</dc:type> <dc:type>info:eu-repo/semantics/article</dc:type> <dc:rights>https://creativecommons.org/licenses/by-nc-nd/4.0/</dc:rights> <dc:title>Jon Casenave: literaturaz amoroski</dc:title> <dc:description> Euskararen, eta beste hizkuntza-gutitu batzuen, hainbat jakintza-alorretako adituen izenak aurkituko ditu irakurleak hemen. Hala Literaturan (M. Ayerbe, I. Borda, J. Casenave, K. Dolharé - Çaldumbide, X. Etxaniz, K. Etxeverry, E. Hupel, J. Kortazar, H. Le Bihan, M. Lopez Gaseni, S. Moal, MJ. Olaziregi, A. Ortiz de Pinedo, L. Otaegui). Hala Didaktikan (S. Bedouret, N. Blanchard, L. Diaz de Guereñu eta B. Garaio, P. Escudé, M. Ezeizabarrena eta A. Murciano. I. Garcia Azkoaga, I. Idiazabal, B. ...</dc:description> <dc:publisher>Lapurdum</dc:publisher> <dc:publisher>IKER</dc:publisher> <dc:relation>info:eu-repo/semantics/reference/issn/1965-0655</dc:relation> <dc:relation>info:eu-repo/semantics/reference/issn/1273-3830</dc:relation> <dc:source>URI:https://journals.openedition.org/lapurdum</dc:source> <dc:creator>Arcocha-Scarcia, Aurélie</dc:creator> <dc:subject xml:lang="fr">littérature basque</dc:subject> <dc:subject xml:lang="fr">Casenave Jean</dc:subject> <dc:identifier>urn:doi:10.4000/127t2</dc:identifier> </oai_dc:dc> </metadata>
oai:revues.org:lapurdum/4187<metadata> <oai_dc:dc xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd"> <dc:identifier>https://doi.org/10.4000/127t4</dc:identifier> <dc:identifier>https://journals.openedition.org/lapurdum/4187</dc:identifier> <dc:identifier>urn:handle:20.500.13089/127t4</dc:identifier> <dc:language>eu</dc:language> <dc:date xsi:type="dcterms:W3CDTF">2024-09-02T02:00:00Z</dc:date> <dc:rights>info:eu-repo/semantics/openAccess</dc:rights> <dc:type>article</dc:type> <dc:type>info:eu-repo/semantics/article</dc:type> <dc:rights>https://creativecommons.org/licenses/by-nc-nd/4.0/</dc:rights> <dc:title>Bariazioen ikerketan haztamuka: Casenaveren Itsu-mandoka aztergai</dc:title> <dc:publisher>Lapurdum</dc:publisher> <dc:publisher>IKER</dc:publisher> <dc:relation>info:eu-repo/semantics/reference/issn/1965-0655</dc:relation> <dc:relation>info:eu-repo/semantics/reference/issn/1273-3830</dc:relation> <dc:source>URI:https://journals.openedition.org/lapurdum</dc:source> <dc:creator>Ayerbe Sudupe, Mikel</dc:creator> <dc:description xml:lang="eu">Jon Casenaveren ibilbide akademiko irmo, oparo eta esanguratsua omentzea helburu duen lan honetan, bere ibilbide literarioari erreparatu nahi diogu ondorengo lerroetan; eta, zehazki, Itsu-mandoka (Ustela, 1981) ipuin laburren liburuari. Izan ere, Casenavek aurrez aldizkarietan argitara emandako hainbat kontakizunen berridazketak eskaintzen ditu Itsumandokan eta bariazio horien azterketa konparatua egingo da jarraian, bariazioek aurkezten dituzten eraldaketa zehatzak ikertu eta aldaketen zioa argitzen saiatzearekin batera. Argitara emandako ezein testutan aurre-testuek sekulako garrantzia izaten baitute; eta zer esanik ez, aurre-testu horiek ere aurrez argitaratuta badaude eta, gainera, euren artean bariazio esanguratsuak aurkezten badituzte.</dc:description> <dc:identifier>urn:doi:10.4000/127t4</dc:identifier> </oai_dc:dc> </metadata>
oai:revues.org:lapurdum/4195<metadata> <oai_dc:dc xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd"> <dc:identifier>https://doi.org/10.4000/127t5</dc:identifier> <dc:identifier>https://journals.openedition.org/lapurdum/4195</dc:identifier> <dc:identifier>urn:handle:20.500.13089/127t5</dc:identifier> <dc:language>fr</dc:language> <dc:date xsi:type="dcterms:W3CDTF">2024-09-02T02:00:00Z</dc:date> <dc:rights>info:eu-repo/semantics/openAccess</dc:rights> <dc:type>article</dc:type> <dc:type>info:eu-repo/semantics/article</dc:type> <dc:rights>https://creativecommons.org/licenses/by-nc-nd/4.0/</dc:rights> <dc:title>Les fables ésopiques médiévales, entre traductions et réécritures successives : questions d’édition en diachronie</dc:title> <dc:description> Les fables s’inscrivent dans une longue tradition littéraire, chaque fabuliste ayant opéré sa propre réécriture de l’hypotexte « Ésope » en se réappropriant cette tradition multiséculaire selon une éthique et une esthétique données. À l’époque médiévale, les fables ésopiques ont bénéficié d’une large diffusion, au moyen d’une longue chaîne d’adaptations, de traductions et de remaniements successifs. Cet article se concentre sur la tradition française de ces fables – une tradition linguistiqu...</dc:description> <dc:publisher>Lapurdum</dc:publisher> <dc:publisher>IKER</dc:publisher> <dc:relation>info:eu-repo/semantics/reference/issn/1965-0655</dc:relation> <dc:relation>info:eu-repo/semantics/reference/issn/1273-3830</dc:relation> <dc:source>URI:https://journals.openedition.org/lapurdum</dc:source> <dc:creator>Casenave, Joana</dc:creator> <dc:identifier>urn:doi:10.4000/127t5</dc:identifier> </oai_dc:dc> </metadata>
oai:revues.org:lapurdum/4202<metadata> <oai_dc:dc xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd"> <dc:identifier>https://doi.org/10.4000/127t6</dc:identifier> <dc:identifier>https://journals.openedition.org/lapurdum/4202</dc:identifier> <dc:identifier>urn:handle:20.500.13089/127t6</dc:identifier> <dc:language>fr</dc:language> <dc:date xsi:type="dcterms:W3CDTF">2024-09-02T02:00:00Z</dc:date> <dc:rights>info:eu-repo/semantics/openAccess</dc:rights> <dc:type>article</dc:type> <dc:type>info:eu-repo/semantics/article</dc:type> <dc:rights>https://creativecommons.org/licenses/by-nc-nd/4.0/</dc:rights> <dc:title>Se canta : ikusten duzu goizean, chant et transmission intergénérationnelle</dc:title> <dc:description> 1880 des travaux à la gare, la ville se transforme, les cheminots en déplacement découvrent la plage d’Hendaye. Les yeux bleus pétillants et la fine moustache d’un gascon gagnent le cœur de Maria, jeune hendayaise qui l’épouse et le suit pour s’installer près de la gare Saint jean à Bordeaux.En 1903, nait leur fille unique Marguerite, Maria la berce en basque Ikusten duzu goizean.Mère et fille partagent la langue et même à distance du pays basque un sentiment fort d’appartenance.Marguerite s...</dc:description> <dc:publisher>Lapurdum</dc:publisher> <dc:publisher>IKER</dc:publisher> <dc:relation>info:eu-repo/semantics/reference/issn/1965-0655</dc:relation> <dc:relation>info:eu-repo/semantics/reference/issn/1273-3830</dc:relation> <dc:source>URI:https://journals.openedition.org/lapurdum</dc:source> <dc:creator>Châteaureynaud, Marie-Anne</dc:creator> <dc:identifier>urn:doi:10.4000/127t6</dc:identifier> </oai_dc:dc> </metadata>
oai:revues.org:lapurdum/4217<metadata> <oai_dc:dc xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd"> <dc:identifier>https://doi.org/10.4000/127t7</dc:identifier> <dc:identifier>https://journals.openedition.org/lapurdum/4217</dc:identifier> <dc:identifier>urn:handle:20.500.13089/127t7</dc:identifier> <dc:language>eu</dc:language> <dc:date xsi:type="dcterms:W3CDTF">2024-09-02T02:00:00Z</dc:date> <dc:rights>info:eu-repo/semantics/openAccess</dc:rights> <dc:type>article</dc:type> <dc:type>info:eu-repo/semantics/article</dc:type> <dc:rights>https://creativecommons.org/licenses/by-nc-nd/4.0/</dc:rights> <dc:title>Hatzak utzi dituen idazkera: Jon Casenaven literaturaz</dc:title> <dc:description> Jon Casenave euskal literaturaren ikerlari bezala ezagutzen dugu. Bordele-Montaigne unibertsitateko irakaslea izan denaren azterketa lan batzuk oihartzun handia ukan zuten, hala nola 2002an Jean Etxepare aldudarraren Buruxkak ardatz zituen De l’article de presse à l’essai littéraire izenekoak edo eta 2012ko Euskal Literaturaren historiaren historia mamitsuak. Irakasletzan ere euskarazko literaturaren funtsaz aritu da bere ikasle belaunaldi ezberdinekin, tarteka idazleak berak gonbidatuz bere...</dc:description> <dc:publisher>Lapurdum</dc:publisher> <dc:publisher>IKER</dc:publisher> <dc:relation>info:eu-repo/semantics/reference/issn/1965-0655</dc:relation> <dc:relation>info:eu-repo/semantics/reference/issn/1273-3830</dc:relation> <dc:source>URI:https://journals.openedition.org/lapurdum</dc:source> <dc:creator>Borda, Itxaro</dc:creator> <dc:identifier>urn:doi:10.4000/127t7</dc:identifier> </oai_dc:dc> </metadata>
oai:revues.org:lapurdum/4227<metadata> <oai_dc:dc xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd"> <dc:identifier>https://doi.org/10.4000/127t8</dc:identifier> <dc:identifier>https://journals.openedition.org/lapurdum/4227</dc:identifier> <dc:identifier>urn:handle:20.500.13089/127t8</dc:identifier> <dc:language>fr</dc:language> <dc:date xsi:type="dcterms:W3CDTF">2024-09-02T02:00:00Z</dc:date> <dc:rights>info:eu-repo/semantics/openAccess</dc:rights> <dc:type>article</dc:type> <dc:type>info:eu-repo/semantics/article</dc:type> <dc:rights>https://creativecommons.org/licenses/by-nc-nd/4.0/</dc:rights> <dc:title>Bas les armes, haut les cœurs ! Comment l’exemple du Pays basque dynamise la Bretagne depuis une dizaine d’années</dc:title> <dc:description> 1. IntroductionLe mouvement breton, dans sa diversité, a depuis ses origines au XIXe siècle, toujours recherché des modèles dont l’étude pourrait l’aider à trouver des voies d’émancipation pour la Bretagne et son peuple. Il se tourne dans un premier temps vers les autres pays celtiques et plus particulièrement vers l’Irlande catholique, alors que le Pays de Galles, plus proche linguistiquement, suscite quelques réserves en raison de son protestantisme. Dans la deuxième partie du XXe siècle, ...</dc:description> <dc:publisher>Lapurdum</dc:publisher> <dc:publisher>IKER</dc:publisher> <dc:relation>info:eu-repo/semantics/reference/issn/1965-0655</dc:relation> <dc:relation>info:eu-repo/semantics/reference/issn/1273-3830</dc:relation> <dc:source>URI:https://journals.openedition.org/lapurdum</dc:source> <dc:creator>Choplin, Cedric</dc:creator> <dc:identifier>urn:doi:10.4000/127t8</dc:identifier> </oai_dc:dc> </metadata>
oai:revues.org:lapurdum/4235<metadata> <oai_dc:dc xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd"> <dc:identifier>https://doi.org/10.4000/127t9</dc:identifier> <dc:identifier>https://journals.openedition.org/lapurdum/4235</dc:identifier> <dc:identifier>urn:handle:20.500.13089/127t9</dc:identifier> <dc:language>fr</dc:language> <dc:date xsi:type="dcterms:W3CDTF">2024-09-02T02:00:00Z</dc:date> <dc:rights>info:eu-repo/semantics/openAccess</dc:rights> <dc:type>article</dc:type> <dc:type>info:eu-repo/semantics/article</dc:type> <dc:rights>https://creativecommons.org/licenses/by-nc-nd/4.0/</dc:rights> <dc:title>Anken am ren, ankou am doug</dc:title> <dc:description> « L’Ankou est l’ouvrier de la Mort (oberour ar maro). » Anatole Le BrazGénéralement représenté sous l’aspect d’un squelette drapé d’un linceul, l’Ankou est armé d’une longue faux à la lame inversée afin de faucher les âmes. Il sillonne les chemins sur une charrette (Karrig an Ankou) tirée par deux chevaux attelés en flèche, sur laquelle il recueille les défunts. Anatole Le Braz, éminent collecteur des traditions populaires liées à la mort en Bretagne, précise : « Il est escorté de deux compa...</dc:description> <dc:publisher>Lapurdum</dc:publisher> <dc:publisher>IKER</dc:publisher> <dc:relation>info:eu-repo/semantics/reference/issn/1965-0655</dc:relation> <dc:relation>info:eu-repo/semantics/reference/issn/1273-3830</dc:relation> <dc:source>URI:https://journals.openedition.org/lapurdum</dc:source> <dc:creator>Denis, Gwendal</dc:creator> <dc:identifier>urn:doi:10.4000/127t9</dc:identifier> </oai_dc:dc> </metadata>
oai:revues.org:lapurdum/4237<metadata> <oai_dc:dc xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd"> <dc:identifier>https://doi.org/10.4000/127ta</dc:identifier> <dc:identifier>https://journals.openedition.org/lapurdum/4237</dc:identifier> <dc:identifier>urn:handle:20.500.13089/127ta</dc:identifier> <dc:language>eu</dc:language> <dc:date xsi:type="dcterms:W3CDTF">2024-09-02T02:00:00Z</dc:date> <dc:rights>info:eu-repo/semantics/openAccess</dc:rights> <dc:type>article</dc:type> <dc:type>info:eu-repo/semantics/article</dc:type> <dc:rights>https://creativecommons.org/licenses/by-nc-nd/4.0/</dc:rights> <dc:title>Salvat Monhoren bertsoak: literaturaren mugetan?</dc:title> <dc:description> Sar hitzaSatira generoa aspaldikoa da, baina Antzinatean eta garai neoklasikoan baizik ez da zehazki definitua izan. Hastapenetik, azkarki aldatuz joan da, bai estetikoki, bai etikoki. Horaziok goi mailako generotzat zeukan; XVIII. mendean, haatik, frantses intelektualek pentsatzen zuten satira “literaturaren mugetan” zegoela, Michel Delon adituaren arabera: « Oeuvre mineure pour les uns, la satire est oeuvre de salut public pour les autres, mais les deux points de vue s’accordent à la situe...</dc:description> <dc:publisher>Lapurdum</dc:publisher> <dc:publisher>IKER</dc:publisher> <dc:relation>info:eu-repo/semantics/reference/issn/1965-0655</dc:relation> <dc:relation>info:eu-repo/semantics/reference/issn/1273-3830</dc:relation> <dc:source>URI:https://journals.openedition.org/lapurdum</dc:source> <dc:creator>Dolharé Çaldumbide, Katixa</dc:creator> <dc:identifier>urn:doi:10.4000/127ta</dc:identifier> </oai_dc:dc> </metadata>
oai:revues.org:lapurdum/4243<metadata> <oai_dc:dc xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd"> <dc:identifier>https://doi.org/10.4000/127tb</dc:identifier> <dc:identifier>https://journals.openedition.org/lapurdum/4243</dc:identifier> <dc:identifier>urn:handle:20.500.13089/127tb</dc:identifier> <dc:language>eu</dc:language> <dc:date xsi:type="dcterms:W3CDTF">2024-09-02T02:00:00Z</dc:date> <dc:rights>info:eu-repo/semantics/openAccess</dc:rights> <dc:type>article</dc:type> <dc:type>info:eu-repo/semantics/article</dc:type> <dc:rights>https://creativecommons.org/licenses/by-nc-nd/4.0/</dc:rights> <dc:title>Aberetegiaren bitartez ikasi, abereen dantzatik Marijane Minaberriren obraren irakurketa baten proposamena</dc:title> <dc:description> “Lertsoinak lerro-lerro doatza” erran zaharra biltzen dute, Bertsularien lagunak elkarteak sortu Zahar hitz, Zuhur hitz, bilduman (1984). Erran-zaharraren ildo beretik, Marijane Minaberriren “Lertsunak” (Minaberri, 1965), 1997an Oskorri taldeak musikatu zuen (Oskorri, 1997). Naturaren behaketa fin batez, Minaberrik lertsunak neguaren mezulari egiten ditu. Euskal esaera-zaharretan bezala, Minaberriren obratik ez dira animaliak falta. Hauek ere, usu erran-nahi edo mezu baten emaile bihurtzen d...</dc:description> <dc:publisher>Lapurdum</dc:publisher> <dc:publisher>IKER</dc:publisher> <dc:relation>info:eu-repo/semantics/reference/issn/1965-0655</dc:relation> <dc:relation>info:eu-repo/semantics/reference/issn/1273-3830</dc:relation> <dc:source>URI:https://journals.openedition.org/lapurdum</dc:source> <dc:creator>Etcheverry, Karine</dc:creator> <dc:identifier>urn:doi:10.4000/127tb</dc:identifier> </oai_dc:dc> </metadata>
oai:revues.org:lapurdum/4250<metadata> <oai_dc:dc xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd"> <dc:identifier>https://doi.org/10.4000/127tc</dc:identifier> <dc:identifier>https://journals.openedition.org/lapurdum/4250</dc:identifier> <dc:identifier>urn:handle:20.500.13089/127tc</dc:identifier> <dc:language>eu</dc:language> <dc:date xsi:type="dcterms:W3CDTF">2024-09-02T02:00:00Z</dc:date> <dc:rights>info:eu-repo/semantics/openAccess</dc:rights> <dc:type>article</dc:type> <dc:type>info:eu-repo/semantics/article</dc:type> <dc:rights>https://creativecommons.org/licenses/by-nc-nd/4.0/</dc:rights> <dc:title>Catherine eta Jean-Pierre, XX. mendearen hastapeneko bizi zati bat gutunezko harreman batzuen bidez</dc:title> <dc:description> 1. Justizia fondoaren artxiba batean…Segur izaten ahal da Jon ez dela erretretan enoatuko, espero dugu eraman duen lan bikaina segituko duela, euskal literatura eta orokorki mundua ikertuz eta ezagutaraziz. Tarte batzu baldin badituzu Jon zure ordutegi berrian, lan baten proposamena luzatzen dizut.XIX. mendean hasi ziren ikertzaile batzu bazterrak ikertzen; geroztik, hainbat soziologok eta historialarik gai hau sakondu dute ohartuz jendarte edo gizarte bat ikertzeko denboran, interesgarria z...</dc:description> <dc:publisher>Lapurdum</dc:publisher> <dc:publisher>IKER</dc:publisher> <dc:relation>info:eu-repo/semantics/reference/issn/1965-0655</dc:relation> <dc:relation>info:eu-repo/semantics/reference/issn/1273-3830</dc:relation> <dc:source>URI:https://journals.openedition.org/lapurdum</dc:source> <dc:creator>Etcheverry, Peio</dc:creator> <dc:identifier>urn:doi:10.4000/127tc</dc:identifier> </oai_dc:dc> </metadata>
oai:revues.org:lapurdum/4258<metadata> <oai_dc:dc xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd"> <dc:identifier>https://doi.org/10.4000/127td</dc:identifier> <dc:identifier>https://journals.openedition.org/lapurdum/4258</dc:identifier> <dc:identifier>urn:handle:20.500.13089/127td</dc:identifier> <dc:language>eu</dc:language> <dc:date xsi:type="dcterms:W3CDTF">2024-09-02T02:00:00Z</dc:date> <dc:rights>info:eu-repo/semantics/openAccess</dc:rights> <dc:type>article</dc:type> <dc:type>info:eu-repo/semantics/article</dc:type> <dc:rights>https://creativecommons.org/licenses/by-nc-nd/4.0/</dc:rights> <dc:title>Literaturaren historia periferiatik eraikitzen</dc:title> <dc:description> Euskal literaturaren azterketetan pasa gara Julien Vinsonek 1925ean euskal literatura ez delarik esatetik (Casenavek aipatua, 2012: 35) nazioarte mailan gure lanek errekonozimendu eta hainbat sari irabaztera. Egia da, Vinsonek XX. mendearen hasieran aipatzen zituen hiru baldintzak: “tokiko hizkuntzan idatzitako liburu anda bat izan behar da, mendez mende eginak, baita ere gai guziez ari den sorkuntza” (Casenave, 2012: 36) ez zirela betetzen garai hartan. Eta, mendez mende eginiko liburugintz...</dc:description> <dc:publisher>Lapurdum</dc:publisher> <dc:publisher>IKER</dc:publisher> <dc:relation>info:eu-repo/semantics/reference/issn/1965-0655</dc:relation> <dc:relation>info:eu-repo/semantics/reference/issn/1273-3830</dc:relation> <dc:source>URI:https://journals.openedition.org/lapurdum</dc:source> <dc:creator>Etxaniz, Xabier</dc:creator> <dc:identifier>urn:doi:10.4000/127td</dc:identifier> </oai_dc:dc> </metadata>
oai:revues.org:lapurdum/4265<metadata> <oai_dc:dc xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd"> <dc:identifier>https://doi.org/10.4000/127te</dc:identifier> <dc:identifier>https://journals.openedition.org/lapurdum/4265</dc:identifier> <dc:identifier>urn:handle:20.500.13089/127te</dc:identifier> <dc:language>fr</dc:language> <dc:date xsi:type="dcterms:W3CDTF">2024-09-02T02:00:00Z</dc:date> <dc:rights>info:eu-repo/semantics/openAccess</dc:rights> <dc:type>article</dc:type> <dc:type>info:eu-repo/semantics/article</dc:type> <dc:rights>https://creativecommons.org/licenses/by-nc-nd/4.0/</dc:rights> <dc:title>La ville dans la littérature bretonne : une détestation féconde</dc:title> <dc:description> « Allez dire à la ville que je ne reviendrai pas »Xavier Grall, La Sône des pluies et des tombesIl y a des villes en Bretagne et il y a des Bretons dans de nombreuses villes de par le monde, mais y a-t-il des villes bretonnes ? Une ville est un lieu marqué, symbolique. Le territoire d’une certaine idée de la vérité et de la culture, une idée impérieuse qui se partage moins qu’elle ne s’impose. Au centre de la ville « ... se rassemblent et se condensent les valeurs de la civilisation… » nous ...</dc:description> <dc:publisher>Lapurdum</dc:publisher> <dc:publisher>IKER</dc:publisher> <dc:relation>info:eu-repo/semantics/reference/issn/1965-0655</dc:relation> <dc:relation>info:eu-repo/semantics/reference/issn/1273-3830</dc:relation> <dc:source>URI:https://journals.openedition.org/lapurdum</dc:source> <dc:creator>Hupel, Erwan</dc:creator> <dc:identifier>urn:doi:10.4000/127te</dc:identifier> </oai_dc:dc> </metadata>
oai:revues.org:lapurdum/4275<metadata> <oai_dc:dc xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd"> <dc:identifier>https://doi.org/10.4000/127tf</dc:identifier> <dc:identifier>https://journals.openedition.org/lapurdum/4275</dc:identifier> <dc:identifier>urn:handle:20.500.13089/127tf</dc:identifier> <dc:language>eu</dc:language> <dc:date xsi:type="dcterms:W3CDTF">2024-09-02T02:00:00Z</dc:date> <dc:rights>info:eu-repo/semantics/openAccess</dc:rights> <dc:type>article</dc:type> <dc:type>info:eu-repo/semantics/article</dc:type> <dc:rights>https://creativecommons.org/licenses/by-nc-nd/4.0/</dc:rights> <dc:title>Dantzaren auzia. Erregimen Zaharreko eztabaida soziopolitiko zonbeitetaz</dc:title> <dc:description> Euskal Herrian bertzetan bezala, dantzak, -ahusagailu xoil izaiteaz gain-, funtzio erritual eta protokolarioak bete izan ditu aspaldian. Justizia eta herrietako artxiboetarik abiatuz, hemen nahi nuke landu Erregimen Zaharraren ondarrean Lapurdi eta Baxenabarren dantzak zuen garrantzia tokiko ordenu instituzionalean bai eta ordenu horri zoazkion eztabaidetan. Leku eskasez ez dut barnatuko Eliza eta dantzaren arteko eztabaida, harreman hori uste beino konplexuagoa izanik ere (Itçaina, 2022: 58...</dc:description> <dc:publisher>Lapurdum</dc:publisher> <dc:publisher>IKER</dc:publisher> <dc:relation>info:eu-repo/semantics/reference/issn/1965-0655</dc:relation> <dc:relation>info:eu-repo/semantics/reference/issn/1273-3830</dc:relation> <dc:source>URI:https://journals.openedition.org/lapurdum</dc:source> <dc:creator>Itçaina, Xabier</dc:creator> <dc:identifier>urn:doi:10.4000/127tf</dc:identifier> </oai_dc:dc> </metadata>
oai:revues.org:lapurdum/4277<metadata> <oai_dc:dc xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd"> <dc:identifier>https://doi.org/10.4000/127tg</dc:identifier> <dc:identifier>https://journals.openedition.org/lapurdum/4277</dc:identifier> <dc:identifier>urn:handle:20.500.13089/127tg</dc:identifier> <dc:language>es</dc:language> <dc:date xsi:type="dcterms:W3CDTF">2024-09-02T02:00:00Z</dc:date> <dc:rights>info:eu-repo/semantics/openAccess</dc:rights> <dc:type>article</dc:type> <dc:type>info:eu-repo/semantics/article</dc:type> <dc:rights>https://creativecommons.org/licenses/by-nc-nd/4.0/</dc:rights> <dc:title>La Generación del 98 y del 14 en la lírica de Jose Maria Agirre, Lizardi y Esteban Urkiaga, Lauaxeta</dc:title> <dc:description> Las reflexiones que siguen parten de un tema al que he me he referido en ocasiones y que siempre me ha producido un momento de análisis y de duda. Se trata de las fuentes poéticas de Jose Maria Agirre, Xabier Lizardi (sigo la actual ortografía vasca), importante poeta del Renacimiento cultural vasco, nacido en 1896 y muerto, muy joven, en 1933. El año 1932 publicó su libro Bihotz begietan/ En el corazón y en los ojos fundamental para el decurso de la lírica vasca. Su concepción de la lengua ...</dc:description> <dc:publisher>Lapurdum</dc:publisher> <dc:publisher>IKER</dc:publisher> <dc:relation>info:eu-repo/semantics/reference/issn/1965-0655</dc:relation> <dc:relation>info:eu-repo/semantics/reference/issn/1273-3830</dc:relation> <dc:source>URI:https://journals.openedition.org/lapurdum</dc:source> <dc:creator>Kortazar, Jon</dc:creator> <dc:identifier>urn:doi:10.4000/127tg</dc:identifier> </oai_dc:dc> </metadata>
oai:revues.org:lapurdum/4278<metadata> <oai_dc:dc xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd"> <dc:identifier>https://doi.org/10.4000/127th</dc:identifier> <dc:identifier>https://journals.openedition.org/lapurdum/4278</dc:identifier> <dc:identifier>urn:handle:20.500.13089/127th</dc:identifier> <dc:language>fr</dc:language> <dc:date xsi:type="dcterms:W3CDTF">2024-09-02T02:00:00Z</dc:date> <dc:rights>info:eu-repo/semantics/openAccess</dc:rights> <dc:type>article</dc:type> <dc:type>info:eu-repo/semantics/article</dc:type> <dc:rights>https://creativecommons.org/licenses/by-nc-nd/4.0/</dc:rights> <dc:title>À propos de la littérature en moyen-breton : littérature et société</dc:title> <dc:description> 1. Les prémices d’une littérature savante ? De la littérature écrite à la littérature populaireAn guen heguen am louenas an hegarat an lagat glas« La blanche/bénie souriante m’a réjoui,l’aimable/aimante à l’œil bleu...Mar ham guorant va karantitda vout in nos oh e costituam garet, nep pret... etc.Si mon amour me le garantitd’être la nuit à son côté,femme aimée, à chaque moment, etc. »Ces vers attribués à un certain Ivoned Omnes, un étudiant breton qui recopiait un exemplaire du Speculum Hist...</dc:description> <dc:publisher>Lapurdum</dc:publisher> <dc:publisher>IKER</dc:publisher> <dc:relation>info:eu-repo/semantics/reference/issn/1965-0655</dc:relation> <dc:relation>info:eu-repo/semantics/reference/issn/1273-3830</dc:relation> <dc:source>URI:https://journals.openedition.org/lapurdum</dc:source> <dc:creator>Le Bihan, Hervé</dc:creator> <dc:identifier>urn:doi:10.4000/127th</dc:identifier> </oai_dc:dc> </metadata>
oai:revues.org:lapurdum/4283<metadata> <oai_dc:dc xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd"> <dc:identifier>https://doi.org/10.4000/127ti</dc:identifier> <dc:identifier>https://journals.openedition.org/lapurdum/4283</dc:identifier> <dc:identifier>urn:handle:20.500.13089/127ti</dc:identifier> <dc:language>eu</dc:language> <dc:date xsi:type="dcterms:W3CDTF">2024-09-02T02:00:00Z</dc:date> <dc:rights>info:eu-repo/semantics/openAccess</dc:rights> <dc:type>article</dc:type> <dc:type>info:eu-repo/semantics/article</dc:type> <dc:rights>https://creativecommons.org/licenses/by-nc-nd/4.0/</dc:rights> <dc:title>Haur eta Gazte Literaturako Euskadi Literatura Sariak eta egungo kanonizatzea</dc:title> <dc:description> 1. SarreraEuskal haur eta gazte literaturako (HGL) kanonaren afera aspaldidanik interesa piztu didan gai bat da. Jakina datekeenez, Xabier Etxanizekin batera argitaratutako bi liburutan (López Gaseni &amp; Etxaniz Erle, 2005; Etxaniz Erle &amp; López Gaseni, 2011), kapitulu labur bana eskaini genion kontuari, 1990eko eta 2000ko hamarkadetako kanonari emanak, hurrenez hurren. Haietariko azkenetik beste hamar urte baino gehiago iragan direnez, eta 2010eko hamarkadaren azterketa orokorra egiteko aukera...</dc:description> <dc:publisher>Lapurdum</dc:publisher> <dc:publisher>IKER</dc:publisher> <dc:relation>info:eu-repo/semantics/reference/issn/1965-0655</dc:relation> <dc:relation>info:eu-repo/semantics/reference/issn/1273-3830</dc:relation> <dc:source>URI:https://journals.openedition.org/lapurdum</dc:source> <dc:creator>López Gaseni, Manu</dc:creator> <dc:identifier>urn:doi:10.4000/127ti</dc:identifier> </oai_dc:dc> </metadata>
oai:revues.org:lapurdum/4298<metadata> <oai_dc:dc xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd"> <dc:identifier>https://doi.org/10.4000/127tj</dc:identifier> <dc:identifier>https://journals.openedition.org/lapurdum/4298</dc:identifier> <dc:identifier>urn:handle:20.500.13089/127tj</dc:identifier> <dc:language>fr</dc:language> <dc:date xsi:type="dcterms:W3CDTF">2024-09-02T02:00:00Z</dc:date> <dc:rights>info:eu-repo/semantics/openAccess</dc:rights> <dc:type>article</dc:type> <dc:type>info:eu-repo/semantics/article</dc:type> <dc:rights>https://creativecommons.org/licenses/by-nc-nd/4.0/</dc:rights> <dc:title>Le tropisme basque de l’écrivain breton Youenn Drezen</dc:title> <dc:description> « La polémique à propos de son passé demeure encore très vive et nuit certainement à un jugement serein sur son œuvre littéraire » : cette phrase aurait sans doute pu être écrite au sujet de Louis-Ferdinand Céline ou de Jon Mirande. Elle l’a été par l’universitaire Nicole Le Dimna à propos de l’écrivain de langue bretonne Youenn Drezen, bigouden comme elle, dans l’introduction de l’étude qu’elle a consacrée à l’autotraduction que pratiquait ce dernier, du breton au français (Le Dimna, 2005 :...</dc:description> <dc:publisher>Lapurdum</dc:publisher> <dc:publisher>IKER</dc:publisher> <dc:relation>info:eu-repo/semantics/reference/issn/1965-0655</dc:relation> <dc:relation>info:eu-repo/semantics/reference/issn/1273-3830</dc:relation> <dc:source>URI:https://journals.openedition.org/lapurdum</dc:source> <dc:creator>Moal, Stefan</dc:creator> <dc:identifier>urn:doi:10.4000/127tj</dc:identifier> </oai_dc:dc> </metadata>
oai:revues.org:lapurdum/4305<metadata> <oai_dc:dc xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd"> <dc:identifier>https://doi.org/10.4000/127tk</dc:identifier> <dc:identifier>https://journals.openedition.org/lapurdum/4305</dc:identifier> <dc:identifier>urn:handle:20.500.13089/127tk</dc:identifier> <dc:language>fr</dc:language> <dc:date xsi:type="dcterms:W3CDTF">2024-09-02T02:00:00Z</dc:date> <dc:rights>info:eu-repo/semantics/openAccess</dc:rights> <dc:type>article</dc:type> <dc:type>info:eu-repo/semantics/article</dc:type> <dc:rights>https://creativecommons.org/licenses/by-nc-nd/4.0/</dc:rights> <dc:title>De la paume au rebot, du Nord au Sud, du jeu au sport : des frontières à préciser</dc:title> <dc:description> Il existe en Pays Basque depuis le XVIe siècle, et peut-être avant, un jeu athlétique et culturel voire identitaire, au moins par la suite (Mourguy, 2017) nommé paume en français et luzea en basque (Bidassouet, 1825). À la fin du XIXe siècle, il se transforme à la fois en sport et en spectacle organisé autour de paris. Quelles furent les étapes de sa métamorphose première ? Comment a-t-il évolué depuis ? En quoi est-il un sport désigné comme « la pelote basque » ? Est-elle unique comme l’art...</dc:description> <dc:publisher>Lapurdum</dc:publisher> <dc:publisher>IKER</dc:publisher> <dc:relation>info:eu-repo/semantics/reference/issn/1965-0655</dc:relation> <dc:relation>info:eu-repo/semantics/reference/issn/1273-3830</dc:relation> <dc:source>URI:https://journals.openedition.org/lapurdum</dc:source> <dc:creator>Mourguy Capelier, Renée-Evelyne</dc:creator> <dc:identifier>urn:doi:10.4000/127tk</dc:identifier> </oai_dc:dc> </metadata>
oai:revues.org:lapurdum/4312<metadata> <oai_dc:dc xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd"> <dc:identifier>https://doi.org/10.4000/127tl</dc:identifier> <dc:identifier>https://journals.openedition.org/lapurdum/4312</dc:identifier> <dc:identifier>urn:handle:20.500.13089/127tl</dc:identifier> <dc:language>eu</dc:language> <dc:date xsi:type="dcterms:W3CDTF">2024-09-02T02:00:00Z</dc:date> <dc:rights>info:eu-repo/semantics/openAccess</dc:rights> <dc:type>article</dc:type> <dc:type>info:eu-repo/semantics/article</dc:type> <dc:rights>https://creativecommons.org/licenses/by-nc-nd/4.0/</dc:rights> <dc:title>Euskal Literaturaren egokitzapen filmikoetara hurbilketa bat. Aizpea Goenagaren Zeru horiek (2006) eta Mireia Gabilondoren Amaren eskuak (2013)</dc:title> <dc:description> “Dezagun gutxi, dezagun beti”, dio esaera zahar ezagun batek. Esan genezake jarraitutasunaren garrantziaz ari dela, ekintzen eta aukeren arteko beharrezko orekaz. Nire ustez, epigrafe ona izan liteke euskarazko zinemaren balantzea egiteko, oro har, eta euskal emakumeek zuzendutako filmen balantzea egiteko, bereziki. Gainera, emakumeek sinatutako euskal literatura-lanak zinemara egokitzeaz ari bagara, esaera zaharra desideratum hutsa bihurtzen da, filmen corpusa zinez murritza baita. Hain zuz...</dc:description> <dc:publisher>Lapurdum</dc:publisher> <dc:publisher>IKER</dc:publisher> <dc:relation>info:eu-repo/semantics/reference/issn/1965-0655</dc:relation> <dc:relation>info:eu-repo/semantics/reference/issn/1273-3830</dc:relation> <dc:source>URI:https://journals.openedition.org/lapurdum</dc:source> <dc:creator>Olaziregi Alustiza, Mari Jose</dc:creator> <dc:identifier>urn:doi:10.4000/127tl</dc:identifier> </oai_dc:dc> </metadata>